Florence Hightower....a dark horse

In a discussion of American pony books recently I was recommended to read the book Dark Horse of Woodfield by Florence Hightower. Not a book I had heard of before ( I hadn't even heard of the author) but as it was likened to a Noel Streatfield book (an author I love) I thought I would give it a go. Apart from a few exceptions I prefer English pony books to American ones, but I was very pleasantly surprised by this one. Yes, it definitely had some of the quirky family characters often seen in Noel Streatfield novels. But perhaps even more the family reminded me of the rather eccentric family in Enid Bagnold's National Velvet.

On the whole though, the eccentric family is more of a British institution, which is possibly why I so liked the book, which despite being set in the USA, somehow feels more British than American to me!

The story is set in the 1930s, in the midst of the Depression. The once prominent and wealthy Armistead family have now fallen on hard times and young Maggie is determined to win the top prize in the Junior Hunter Stake on her pony Star, so she can use the prize money to help buy her Aunt's horse back (sold because they needed the money).

The family are on the whole horse mad, with generations of superb riders, of which Maggie is the youngest. Most of the characters are brilliantly and humourously portrayed, with my favourites being the imperious old horse obsessed Grandmother who once made conversation with a horse at a tea party and Maggie's younger brother Bugsy who is a business man in the making, and is hoping to make money by breeding butterflies in his dead grandfather's study. But even minor characters, such as Maggie's teacher 'Fried Egg' and the unscrupulous car dealer George, are superbly drawn and made real.

It is probably not an out and out pony book as the main plot is not the schooling of Star, but the struggle to make money for the entry fee for the show. There is also a mystery to solve....that of deceased Uncle Wally, black sheep of the family (who loved poetry rather than horses) who, by writing a poem which the family took offence too, caused a family rift and then inadvertantly tragedy. His poems are now famous and good money would be paid for various letters he left behind. But they have mysteriously disappeared. The strands of these subplots all come together, as Maggie learns to appreciate Uncle Wally's poems in order to enter a prize winning essay contest, the secret of the offending poem is revealed, and the children's money making endeavours are the inadvertant key to solving the mystery.

The author manages to create an atmospheric family history. She mentions just a few lines of Uncle Wally's poems, but you start to imagine there really is a book with those poems in, and you yearn to read in its entirety the controversial poem which caused a rift between Wally and the other family members. But the author tantalisingly never reveals it!

As well as superb writing, the book is very funny. There are some great horsy anecdotes, a pony follows is master to school and gets stuck in the door, a sociable horse joins in with a ladies tea party, and the family's horses break free of their field to turn up at the horseshow to give their support! Yes, even the equine characters are eccentric in this book!

So, although not along the lines of the classic pony story and by a little known author who really is a 'dark horse' in the pony book world, if you enjoy quirky novels with interesting characters you will love this book, and I would highly recommend it. I don't think the author wrote any other pony stories but if you know differently please let me know so I can seek them out!

Dartmoor via the USA

Vian Smith is a rather over-looked author. Despite the fact he wrote a number of excellent pony and horse novels, many people have never heard of him, and those who have may think he only wrote two pony stories - Come Down the Mountain and Martin Rides the Moor. Why? Well, despite being an author whose books are deeply rooted in the English countryside, especially Dartmoor where most of the books are set, many of Smith's books were published in America. Consequently, although fairly easy to find in the states most of the titles are rare in the UK.

One of these such books which I had to purchase from America, is Green Heart. This is a horse story for the older child or adult and focuses on Sarah, a young girl who when her mother dies, must take on the responsibility of looking after her two younger brothers. She takes a job looking after a racehorse but when the horse breaks down at a local racetrack and the owner wants to destroy the mare, Sarah declares that she will nurse the horse back to health. Many of the local busybodies are scandalised when Sarah appears to neglect her brothers for the sake of the horse, and even try to have the children put into care. But as in Come Down the Mountain, the presence of the horse starts to unite the community, slowly changing people's attitudes, as they begin to share Sarah's determinatin to restore the horse back to her former glory and see her race again.

As well as being an excellent story, the book also explores the life of a small country community, the relationship the people have with the land and their surroundings, and the power of the moors, which are intimately bound up with the villager's lives. In some ways this is similar to the horse stories of Joyce Stranger which also focus on their countryside setting, especially the farming community. In this both the works of Smith and Stranger are far more than just run of the mill pony stories.

Other hard to find titles by Vian Smith more commonly seen in the USA include King Sam (published as Tall and Proud in the USA), Question Mark (published as Pride of the Moor in the USA), The Horses of Petrock, The Lord Mayor's Show.

Most of these books, like Green Heart, have a similar deep grounding in their moorland backdrops and it does seem a shame that to read stories which are so essentially English, the reader must buy them from the USA. It almost seems as if the Americans have taken the author to their hearts and appreciated his love of the English countryside far more than their British counterparts.

To read more about Vian Smith please click here

Pony Mad & Precocious

We have been talking about the ages of pony book authors in a couple of threads on the ponymadbooklovers forum and what really struck me is that there seems to be a trend amongst the writers of these books to start very young. Some of the authors who wrote their first pony book when only teenagers include:

K. M .Peyton - 15 when she wrote Sabre The Horse From the Sea (under the name of Kathleen Herald) and still a teenager when she penned her second novel The Mandrake.

Moyra Charlton - amazingly only around 11 or 12 when she wrote her first book Tally Ho.

Primrose Cumming - a teenager when she wrote Doney

Sheila Chapman - wrote all of her four books when very young.

Gillian Baxter - a teenager when she penned what is probably still her best-loved book Jump For the Stars

Avrill Knott - wrote Pony of Gold when she was 15

The Pullein-Thompson sisters - teenagers when they collaborated on their first book Picotee

Granted, some of these early efforts did not scale the heights of timeless prose, however one or two were amazingly mature works. In particular, I would highlight K. M. Peyton's second novel The Mandrake: it is hard to reconcile the maturity and skill of this book with the actual age of its author.

It is difficult to come up with a reason for this precocity. One suggestion is that children matured more quickly then. But if we examine the ages of some of the non-pony female authors of the same period, such as Enid Blyton, E. M. Brent-Dyer, Noel Streatfield, Richmal Crompton and Lorna Hill, we find that all of these authors were in their 20s to 40s when they began writing novels. It does in fact seem a trend amongst horsy rather than general authors.

Does the responsibility of looking after a pony and the discipline of learning to ride make a child grow up more quickly? This however would not account for the early talents of K. M. Peyton who did not actually have a horse before she wrote her first books.

Did the horsy set move in more upper class circles in which some sort of 'old boy's network' would enable the young author to take a fast track into publishing. This could of course account for the P-T sisters who came from an extremely literary circle and whose acquaintances would of course have included publishers, but once again it would not account for others such as K. M. Peyton who came from ordinary working class backgrounds.

Perhaps there is some mysterious link between loving ponies and wanting to write about them. Do horses inspire a lyricism, a desire to share one's love of them with others via the written word? I'm sure I am not the only one who, as a teenager, wrote pony stories or even a book. (My own effort has (perhaps mercifully) been lost somewhere in the seemingly endless clutter of childhood detritus. But was I feeling the same urge to write as my authoress heroines?

It would be nice to come up with a theory to neatly explain the precocity (and if anyone has any suggestions please let me know!) However, whatever the reason, let us be grateful that our favourite authors did not consign their early works to a dusty attic along with their old dolls and teddies, but allowed the rest of us to share their youthful writings.

Books versus Hunks!

Due to internet and other technical problems taking up most of my time over the past few days, this weeks blog is very short (and not very serious). For a bit of a laugh we at the ponymadbooklovers forum decided to start a "hot men" thread. A few days later and the flipping thing is now the longest and most visited thread on the forum! I don't know if its true that, as someone on the forum said, horsy gals are all man-mad, but whatever it is poor old Jill, Jackie and the like have now been abandoned and replaced by a succession of male pin-ups. My computer hard-drive, once the province only of pics of cute kittens, horses and various dustjackets, has now been invaded by a bevy of half-dressed hunks!

And there seems to be no stopping us. I think the only way we will get a more popular thread is if someone discovers a sequel to Silver Snaffles hidden away in their loft or finds out they are the long-lost love-child of Ruby Ferguson...

Which one would you like to take to bed with you on a cold night?

Answers on a postcard please!

Bargain Horses...one of her best!

Apart from the Bobby and Shelta series, I have never been a huge fan of Gillian Baxter's stories for older children. Although her books are pleasant enough reads, for me they lack a certain something. (And I am ashamed to say, despite two or three attempts, I have never managed to get to the end of Tan and Tarmac!) However I had heard good things about Bargain Horses and the sound of the plot was intriguing so I thought I would give it a go.

I'm really glad I did. IMHO Bargain Horses is one of the author's best, perhaps the best since the Bobby and Shelta books. The plot centres around Gemma, a sixteen-ish girl whose mother has a strange habit of buying cheap horses, hoping that she can miraculously transform one of them into the next top eventing star. Her obsession has driven away her husband, used up all their money until they have to live in a caravan, and is now taking over Gemma's life.

What I love most about this book is the way it turns the usual pony book scenario on its head. Whereas we usually have a horse-mad heroine whose parents are constantly trying to get them to do more school work and have a life outside horses, this book is the complete opposite. Gemma is the one who wants to do well at school and is prevented by her mother who feels that school gets in the way of their training schedule! Gemma thinks that she may possibly like to have a career away from horses, it is her mother who wants her to become a top eventer. Unlike most pony book heroines, Gemma feels that horses are getting in the way of other things she would like to do: such as go to parties and have a boyfriend.

The book has a plot that keeps you reading (although I did guess the end!) and the characters of Gemma and her mother Mary are brilliantly drawn. Mary must be one of the most three-dimensional adult characters in any pony book. Sadly in this genre, the adults are often very sketchily drawn or simply caricatures, but not so in this novel. Gemma, too, is a multi-faceted character who is torn between her love of horses and her yearning to have a life of her own.

Bargain Horses is part of the series of pony books published by J.A.Allen in the 1990s, most of which are aimed at older teenagers and adults (as is this one). I have read most of the books in this series and they have all been excellent. They are particularly suitable for adult horse and pony enthusiasts, especially this book.

I have now completed a more detailed review of the book. To read it click here

Christmas...not so bad after all?

I am not really a Christmassy person. I used to quite like it when it meant escaping work for a couple of weeks, but even that bonus is missing now that I am self-employed.

Everything about it seems to have become an irritation, from the hideously cheerful Christmas songs that begin playing everywhere from October onwards, to the desperate grubbing around trying to find a present more interesting than the usual socks, to the yearly search for the Christmas tree and decorations which never seem to be in the place you remember putting them, to the endless trailing round visiting relatives whom though you only see once a year, its still once a year too much. It's enough to have you reaching for the brandy instead of putting it in the Christmas cake! And then of course there is the orgy of eating and drinking leaving you feeling full of guilt and indigestion as a year's dieting is blown in a week.

But before you are sending me the ghosts of Christmas past, present and future, I do have some nice words to say about Christmas. Well, one, really. Books.

Santa has thankfully ignored the fact I have not been a good little girl and brought me a bumper crop of pony books which I have been looking for to add to my collection. These include Gillian Baxter's Bargain Horses, K. M. Peyton's The Sound of Distant Cheering and The Grey Ghost by Carolyn Henderson, none of which I have read before. But the best of all by far are a pair of books whose arrival has almost made me want to start singing Jingle Bells and wearing a pair of furry antlers on my head.

These are a first edition of Sabre The Horse From the Sea by Kathleen Herald (aka K. M. Peyton) and also by her a 1950s edition of The Mandrake a Pony.

So pass the After Eight Mints and turkey sandwiches round one more time, turn up the volume on that Christmas Compilation CD, I don't care. I will have my head buried in one of these beauties.

Maybe Christmas isn't so bad after all...

The Marvellous Mongolian - an unusual pony book

Just been reading this book which must be one of the most unusual pony books I've read in a long while. Why? Well, first of all it is about a breed of horse which I've never come across mentioned in a pony book before - the Przewalski horse (also known as the Wild Mongolian Horse). This is a very rare breed which is thought to be the only true wild horse breed in the world. It must also be the hardest breed to spell too!

Secondly the book is set in many different countries, mainly in Mongolia (as to be expected) and Wales. The Welsh setting may seem a natural backdrop for a pony story, but have there been any other pony books set in Asia? Pony books rarely feature countries other than the UK, USA or Australia. The customs and setting of the Mongolian part of the story make for an eye-opening and very interesting read.

Thirdly the way the book is written is very unusual. The whole story is narrated through letters between a girl in Wales and a boy in Mongolia. This type of narrative was very common in British literature around the 18th century but today is extremely unusual. The nearest I've seen to it is in Judith Berrisford's Jackie books where the author uses Jackie's occaisional letters to her parents to update the story and move the plot forward. It may seem a little off-putting to the reader but it actually makes for a very interesting read as we see the characters and customs of two children from different sides of the world.

And lastly, in a genre that is often criticised for its cliched story-lines, the plot is also very unusual. It concerns a wild Mongolian stallion who is captured and sent to a Welsh nature reserve as part of a breeding program. The stallion comes from a wild herd which was was first spotted by a Mongolian boy. The stallion is hoped to breed with a Shetland pony who has been looked after by a girl in Wales. The boy and girl begin to exchange letters, and through them the whole story of what happens next unfolds.

Hopefully I will have time to do a full review of the book on my website. In the meantime I would recommend it as an excellent read especially if you are looking for something different.